Routes Through Contemporary Dance

This is an ongoing list of artists, choreographers and works that have changed, challenged or expanded ideas about dance and performance.

It isn't intended as a history or a definitive list. It's a place to start exploring.

Follow a name, a work or an idea. See where it takes you.

This page will keep changing and growing.

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CRYSTAL PITE

Betroffenheit, 2015

Dance meets theatre. Repetition, fragmentation, narrative and the movement between the individual and the group.

Explore: Kidd Pivot
https://kiddpivot.org/

BORIS CHARMATZ

10000 Gestures, 2017

Thousands of gestures, each performed once. What happens to dance when movement disappears as soon as it is made?

Explore: Boris Charmatz / Terrain
https://www.borischarmatz.org/

DIMITRIS PAPAIOANNOU

Primal Matter, 2012

Bodies, objects, images and illusion. A space somewhere between choreography, visual art and performance.

Explore: Dimitris Papaioannou
https://www.dimitrispapaioannou.com/

RUSSELL MALIPHANT

AfterLight, 2009

Movement and light become inseparable. Can light itself become part of the choreography?

Explore: Russell Maliphant Dance Company
https://www.russellmaliphantdancecompany.com/

WILLIAM FORSYTHE

One Flat Thing, reproduced, 2000

Fourteen dancers and twenty tables. Bodies, objects and an intricate network of choreographic relationships.

Explore: William Forsythe

ROSEMARY BUTCHER

Dance, visual art and space

Choreography in conversation with visual art, architecture, film, sound and installation. Where can dance exist?

Explore: Rosemary Butcher Archive
https://rosemarybutcher.com/

PINA BAUSCH

Café Müller, 1978

Bodies, chairs, walls, memory and repetition. Dance and theatre collide.

Explore: Pina Bausch Foundation
https://www.pinabausch.org/

MERCE CUNNINGHAM

RainForest, 1968

Movement, music and visual art occupying the same space without one having to illustrate another.

Explore: Merce Cunningham Trust
https://www.mercecunningham.org/the-work/choreography/rainforest/

 

KEEP EXPLORING

There are many other routes.

Artists lead to other artists. Dance leads to music, film, theatre, visual art, architecture, technology and ideas.

This list will continue to change and expand.

Start anywhere. Follow what interests you.

 

JÉRÔME BEL

The show must go on, 2001

Pop songs, simple actions and an audience waiting for something to happen. What do we expect when we watch dance?

Explore: Jérôme Bel
https://www.jeromebel.fr/

ANNE TERESA DE KEERSMAEKER

Fase, 1982

Movement and Steve Reich. Repetition, rhythm and tiny differences accumulating over time.

Explore: Rosas
https://www.rosas.be/AKRAM KHAN

AKRAM KHAN

zero degrees, 2005

Kathak meets contemporary dance. Two performers, different histories, movement, text and questions of borders and identity.

Explore: Akram Khan Company
https://www.akramkhancompany.net/

HOFESH SHECHTER

Political Mother, 2010

Bodies, rhythm, live music and light. Choreography experienced as much through sound and physical energy as through movement.

Explore: Hofesh Shechter Company
https://hofesh.co.uk/

WAYNE MCGREGOR

Atomos, 2013

Movement, technology, science and the possibilities of the body. How might thinking itself become part of choreography?

Explore: Studio Wayne McGregor
https://waynemcgregor.com/

STEVE PAXTON

Contact Improvisation, from 1972

Weight, gravity, touch and improvisation. Movement created through the physical encounter between bodies.

Explore: Foundation for Contemporary Arts — Steve Paxton
https://www.foundationforcontemporaryarts.org/recipients/steve-paxton/

TRISHA BROWN

Roof Piece, 1971

Dancers across the rooftops of New York transmit movement from one body to another. The city becomes part of the choreography.

Explore: Trisha Brown Dance Company
https://trishabrowncompany.org/

YVONNE RAINER

Trio A, 1966

Ordinary movement without spectacle or climax. What happens when dance refuses to perform for us?

Explore: MoMA — Trio A
https://www.moma.org/collection/works/119867

ANNA HALPRIN

Parades & Changes, 1965

Tasks, scores, improvisation and everyday actions. Dance as experiment, process and participation.

Explore: Anna Halprin